Excerpt from Homer's 'The Iliad' (Penguin Classics, Rieu/Jones translation) - page 275-6
In which Achilles agrees with Patroclus that the beleaguered and beaten-back Greeks must prevent the Trojans from destroying their armada and cutting off their route home, and gives Patroclus leave to don his armour and lead the Myrmidons in his stead.
Play Count: 62
Embouchure - Day 14
Final day of my first test/warm-up period. Really think it's possible to see improvement across the two weeks, so I'm proud of that. I want to keep working on my strength, tone, timbre and breath control even further.
Play Count: 33
Embouchure - Day 13
Seems that I've hit a plateau for duration, struggling to hold a note for longer than eleven or twelve seconds. Tone has warmed and opened up, though, or at least it has to my ears.
Play Count: 47
Excerpt from Jean Genet's 'Our Lady Of The Flowers' (Panther Books) - page 82
About Darling Daintyfoot's predilection for selling out his fellow criminals and prisoners.
Play Count: 39
Excerpt from Peter Stevenson's 'Welsh Folk Tales' (The History Press) - page 105 ('The Zombie Welshman)
In which the pious English knight, William Laudin, faces a creature of the undead.
Play Count: 36
Embouchure - Day 12
The mouthpiece kept moving out of position for me, this session. Didn't think I was slipping or turning out, though? Weird.
Play Count: 33
Embouchure - Day 11
A good few strong, long notes of ten or more seconds. Lost my focus a bit, though, my mind was wandering....
Play Count: 23
Embouchure - Day 11
A good few strong, long notes of ten or more seconds. Lost my focus a bit, though, my mind was wandering....
Play Count: 20
Excerpt from V.C. Andrews' 'Petals On The Wind' (Charnwood) - page 290-1
In which a trepidatious Cathy, with her impulsive new husband Julian in tow, returns home after a long absence of a few years to visit her stepfather & her sister.
Play Count: 21
Embouchure - Day 10
Pleased with this attempt, actually. My tone is showing signs of its former health, bright and creamy, without the breathy shakes I'd previously struggled with.
Play Count: 31
Excerpt from 'Secret Britain' (Automobile Association), page 48
Brief note on the historical importance of cider to English farming communities, in ritual and in practice.
Play Count: 16
Excerpt from Virginia Woolf's 'Orlando' (Penguin Red Classics) - page 98-9
In which Orlando works further on his poem, and meets the persistent Archduchess Harriet.
Play Count: 14
Excerpt from Virginia Woolf's 'Orlando' (Penguin Red Classics) - page 98-9
In which Orlando works further on his poem, and meets the persistent Archduchess Harriet.
Play Count: 23
Embouchure - Day 09
Better tone quality this time, I reckon...
Play Count: 22
Embouchure - Day 08
Made it to almost twenty seconds sustaining a note! It seems that the airstream I'm producing keeps faltering. Wonder if there's a way I can bolster it?
Play Count: 19
Excerpt from S. Yizhar's 'Khirbet Khizeh' (Granta Books) - page 66-7 (Chapter 6)
In which Shmulik & Gaby attempt to rescue a colt they encounter from a hobble.
Play Count: 20
Excerpt from Alan Halsey's 'A Robin Hood Book' (from 'Marginalien', Five Seasons Press) - page 142 ('XVI')
Halsey insists that to know the identity of Robin Hood is immaterial, and that Robin might just as well be Richard the Lionheart, or the Black Knight, or Ivanhoe - the trickster-God of the Greenwood and the Salvation of Britain cannot die.
Play Count: 46
Embouchure - Day 07
Not a fantastic attempt - it's a bit of a dreary morning, and I'm more tired than I thought. Plus, the screw-top of my head-joint popped out without my realising!
Play Count: 28
Embouchure - Day 06
Today I tried to focus more on attacking the note and coming in strong...to some modest success. Unfortunately, this entails a sacrifice in clarity of tone and steadiness of production...
Play Count: 25
Excerpt from Jean-Jacques Rousseau's 'Reveries of a Solitary Walker' (Penguin Sixties Classics) - page 11 ('Third Walk')
Rousseau shares his critique of a philosophy espoused by Solon, and bemoans the concept of a 'wise old age'.
Play Count: 22
Embouchure - Day 05
Feeling a little shaky this morning, and it shows! The volume of my notes is improving and I'm more relaxed playing them, but still my facial muscles are too weak to keep the note steady.
Play Count: 19
Excerpt from Jack Kerouac's 'Doctor Sax' (Harper Perennial Modern Classics Ed.) - page 155 (Chapter 10, Book Five)
In which March of 1936 comes around, and Ti Jean loses some of his appreciation for the epic floods of Lowell. (Stuttered on a few words and struggled with the punctuation on this one, sorry. That is partly due to my own distraction when recording, and partly due to Kerouac's awkward and arresting style).
Play Count: 41
Embouchure - Day 04
Getting stronger all the time! I think I sustained a ten second note, with few wavers.
Play Count: 26
Excerpt from Richard FariƱa's 'Been Down So Long It Looks Like Up To Me' - page 144-5 (Chapter 8)
In which Gnossos, after a night of drinking and dancing, gets his girlfriend Kristin alone, and attempts to scare and tantalise her with his story of a wolf encounter.
Play Count: 33
Embouchure - Day 03
Managed some sustained and even notes for almost ten seconds. This is progress more rapid than I expected. Breath strength is still an issue, but that will come with time and exercise. Afterwards I felt tingling in my lips...
Play Count: 28
Excerpt from Mervyn Peake's 'Titus Alone' - page 94-5 (Chapter 43)
In which Muzzlehatch goes to rekindle his passion with Juno, sneaking to her house at night and breaking in by way of a chestnut tree. Unbeknownst to him, during that night Juno has welcomed another man over at her place...
Play Count: 26
Excerpt from the Kevin Crossley-Holland translation of 'The Exeter Book Riddles' - page 77-8 (Riddle 84)
These riddles are poetic and challenging all at once. Amazing that they've survived for so many hundreds of years. Of course, some aren't in good condition. This riddle is incomplete, and has a few lines missing in the manuscripts. See if you can work it out, anyway (I couldn't)...
Play Count: 38
Embouchure - Day 02
My mouth doesn't hurt as much as it did yesterday, so I think I need to remember to go harder...
Play Count: 25
Embouchure - Day 01
Returning to playing the concert flute after many years away, and starting to practise with with rebuilding the embouchure (the strength in the lips and control of air - a fundament of the instrument). The way this is normally done is by taking only the head joint of the flute, and creating a sustained single note, through adjusting the position of the lip-plate on the lips and also the position of the mouth and airstream over the plate. As you can tell, I'm very, very rusty! This is a type of muscular exercise, and as such takes a long time to work up to full strength.
Play Count: 40
Excerpt from Jean Genet's 'Miracle of the Rose' - page 108-9
Jean describes his view of the criminal Bulkaen, a man he loves and hero-worships, through the lens of his own graduation into a life of jewel theft. [First time for me online reading and recording...well, anything! At the moment, I very much dislike the sound of my own voice on playback, so do please bear with my mistakes, the tremors and odd timbre and strange noises of breath or mouth, as well as my pesky impediment. I hope to get more confident with practise, and be able to speak more clearly for the listener.]
Play Count: 52