Teased So Hard You're A Girl Now
nclusivity notes: [F4TF] [No genitalia mentioned] [Transphobia - Comfort] Listener referred to as: [Hun] [Girl] [Cutie-Baby], speaker refers to [loving] the listener POC: [Neutral] at the very least, since the listener isn't physically described very much. Very much hope the POC transfems here enjoy it though! VA: [TF] though I am voicing a character who is [F] (Please note, I am autistic and subtlety/social cues are an area I am severely deficient in. Please consider explaining things bluntly and directly, and I would strongly appreciate it if anyone who interacts places a tone in brackets at the end of the message) This one was really fun to record and absolute hell to edit and release lmao. bawdyEmber wrote a script I thouroughly enjoyed, and I sincerely hope she enjoys my take on it. The gentle and affectionate tone are the biggest draw for me personally, and I hope everyone who listens enjoys that as well. Unfortunately, though, the entire process has resulted in a rather sub-par file because of my own lack of experience with the technical facets of making recordings and editing them. It's not awful, but there are parts that are annoyingly discordant, for lack of a better word. Credits: script - https://www.reddit.com/r/GWASapphic/comments/1hn4758/f4tf_teased_so_hard_youre_a_girl_now_script_offer/ Author - u/bawdyEmber editing assistant - the Jay System, who generously did most of the work for me regarding the structure of the file. Disclaimers: All characters portrayed in this work are consenting adults (18+), and voiced by one or more consenting adults, usually just me. Though sometimes my work may depict hate crimes, homophobia or transphobia, or mention them, I myself do not condone such behaviour. Likewise, though I may include descriptions of physical harm, injuries, or interactions that may severely negatively impact the character's mental health, my work will never involve any real injuries or physical harm, and any interactions that may harm a character's mental health are either negotiated with a play-partner ahead of time or done to a fictional character divorced from any physical person(s).
Play Count: 934